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Digging in the Southampton Stacks, Book Two: The Hotel, by Elizabeth Bowen

The Hotel, Elizabeth Bowen There are many literary classics nestled in the Southampton stacks awaiting the attention of a devoted reader. Tomes from Poe, Melville, Dickinson, Conrad lurk about, all of which we shall hopefully explore at a date currently unforeseen. For today belongs to Elizabeth Bowen. Her works, particularly

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Digging in the Southampton Stacks, Book One: The Gilded Age

Nestled in the stacks of the SBU Southampton library sits a brown, nondescript book with faded, golden font. A crest on the cover of the book reads The Gilded Age: A Tale of Today (1873), and the spine of the book reveals the book’s authors, Mark Twain and Charles Dudley

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Art in Focus: Jack Whitten

The Art in Focus series got off to a great start on Tuesday night with Professor Katy Siegel, Thaw Chair in Modern American Art at Stony Brook University and Senior Programming and Research Curator at the Baltimore Museum of Art. The subject was Jack Whitten, the noted abstract artist who

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3D Printing Presentation at ACRL New England Chapter Annual Conference

On May 4, 2018 Stony Brook Health Sciences Librarian Laurel Scheinfeld attended the annual conference of the Association for College and Research Libraries, New England Chapter (ACRL/NE) where she gave a presentation with Joan Wagner and Blanche Leeman from Touro College.  The presentation focused on 3D Printing in Health Sciences

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Stress Release at Southampton

Sometimes pictures are worth more than words so here’s an overview of our therapy dog visit from last night.   Many thanks to CAPS and the PALS program for coming out!   [metaslider id=28078]

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Therapy Dogs Tonight in Southampton

Please join us from 7:00-9:00 pm in the Southampton Library for a visit with the therapy dogs from the PALS program. This is always a great event and we hope it relieves some of the stress of the upcoming finals!   Here’s a look at some past visits. We’ll post

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Music Monuments and Critical Editions in the Library

The print volumes in the Music Library with the call number M3 make up the “Music Monuments,” section.  In this area the complete works and critical editions of music provide comprehensive content by composer, time period or geographic region.  What makes these sets of music particularly valuable?  The complete works

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